"Il
luogo dell’operatività sociale, il suo daimon,
come quello della pedagogia, è nella mancanza che sazia, nel piccolo che è
anche infinito, nell’invisibile che “fa vedere”, nel perduto che fa ritrovare. È
questa minorazione salvifica che rende l’abitare il mondo meno arrogante, più
umbratile e misteriosamente, profondamente consapevole”.
P.
Mottana, Eros, Dioniso e altri bambini. Scorribande
pedagogiche, FrancoAngeli, Milano, 2010, p.19.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTu7ts469132zAviyJ9Qsd0jF-mCG1xJiC1vw4Il-1w-bERWsgQ-JHployEAIKUqikd7XLcIyESvPpwhsF7btkppjq39W45d99KvzPvRQ-71Xe5_NMVFOSSiC41sJCLt3bfj5CCTyDv2fu/s1600/01.jpg) |
Paul
Klee, Senecio, 1922
|
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhF3RIZkIj2IpGSDF9repksgP9nJl1uoApo2-k-YHanjf84k23lC9BQ56kZElyFA0hAxK1sYI6b2gdIDGB_C2b0q5zYDd8k6jRXjNDh5aTpRPSPhUbGP8y_XxXqeEZiYoVFTEVO3uXYzyJ4/s1600/02.png) |
Carlo
Mattioli, Anna in rosso, 1977
|
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiruPdS6aYd7Oms4AK4Pq8d8dq-4IAdclypryGnqGyIL6MYycj8tVk4dybM3DFBlz9L42phYfIzjXFg2ZCYU-qvUEbHv79liDVAbb_ZpXD8bfMJX56X019Hpio1_LIgQVT3NJEv1b_vAPU9/s1600/03.jpg) |
Timothy Archibald, Echolilia, 2010
|
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdBxAI6fYRkHKgLpZ24IOl7upcVvfAXsXDeMqTWP7JeEPWSNMvbaFK7WuQJdz6EoTg8-Gw_YhvaBGzlVPXdbEonyNWDuvpVh_Z5zovckze97Biqyv86dZHZGUXaDt10FhxFD7xb4wkTQQd/s1600/04.jpg) |
Francis
Bacon, Paralytic child walking on all fours,
1961
|
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEif1sLkRHZLwGLyfuuP8HLPffYXUid7fe5FAnE5F819Dt06q5jfBcBs9VfctG4aIjZiE5ZFms1-2WZ8AQaIZBeSJ_od2tCJyKcX4ikQNmJv3iuGTgBgQ7d6AYHET6JhfA21sX6CdSe0qrTI/s1600/05.jpg) |
Georges
Rouault, Il pagliaccio ferito, 1932
|
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjRQM_ugYLAy6mEvTnvSkpxD8sCqa3cjPCIB9g1cqJIGxK6wNX7QADJsaPyZ0fLqxh5OVVNhivzto05SFzpo4-Vx6mJAVt6dGqzsJC9NkcpIFNVl2JgMz_LNO_oRvfwSI_MQfgOd2AFKS-7/s1600/06.JPG) |
Leon
Kossoff, Man in a Wheelchair, 1959-62
|
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgG698ADDCs5yEaQlu4FksxuD3Ny0Xkny4zlBses6K_qUTijCEenRo7w2nfeWUH9RjqnLjwqjk7Kdve_chyphenhyphenut1RSaZmpiq6UR36x02Xw3XRfiU2CprFu2UjnCcHC59EU8hOMwmrku9DMslg/s1600/07.jpg) |
Lucas
Cranach, Portrait of a young girl, 1540
|
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgY6ZjdxCBv-guMMO1kO1lRGvDXJ3CufPa1fAfLeWOkxQk1RrbPwTH503I5p1Mng-M6oWm8L9k0ui0dJuIaM9t86oeNXJM9ToQPwhBN8GoUepwsQ-KXzpb9F8EUIXy7ViwrfD495xc34wd_/s1600/untitled.png) |
Jaco Van Dormael, Le huitième jour, 1996
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